Brittany De Grofft was born in Tucson, Arizona where she began studying classical ballet under the direction of Linda Walker at the age of six. In 2003 she participated in the Regional Dance America Festival and won full scholarships to several leading ballet schools in the country including Pacific Northwest Ballet, School of American Ballet, American Ballet Theatre and San Francisco Ballet among others. After winning a scholarship to attend American Ballet Theatre’s summer intensive in Austin, Texas, she was named an International Training Scholar and continued to attend ABT’s intensives in New York City for four consecutive summers. In August of 2008 she was invited to join the ABT Jacqueline Kennedy Onassis School and in 2009 she joined ABT II (now ABT Studio Company) under the direction of Wes Chapman.
She became an apprentice with the main Company in February of 2011 and was promoted to the Corps de Ballet in September of the same year. She was named one of the Top Ten Dancers to Watch by Dance Spirit Magazine and was presented the honor of the Margaret King Moore Dancer Award by Marcelo Gomes, former Principal Dancer with American Ballet Theatre, in her first year with the main company. This award honors a new member of the Corps de Ballet with outstanding promise. In 2018 she was named the Jennifer Alexander Dancer of American Ballet Theatre which recognizes a Senior female member of the Corps de Ballet who best represents the professionalism, perseverance and generosity that Jennifer herself embodied. A very high honor within American Ballet Theatre.
During her time with ABT, she has personally worked with and created many roles with leading and legendary choreographers and Ballerinas including Twyla Tharp, Natalia Makarova, Alexei Ratmansky, Christopher Wheeldon, Wayne McGregor, Jessica Lang and many more. She has received extensive private coaching and training in Soloist roles for ABT with legendary Russian Prima Ballerina, Irina Kolpakova, and has trained with other leading former Principal Ballerinas including Cynthia Harvey, Julie Kent, Susan Jaffe and Leslie Brown. She has traveled extensively on tour with ABT across the country and has performed on many of the world’s leading stages including The Opera Bastille in Paris, Bunka Kaikan in Tokyo and the greatest, ABT’s home stage, The Metropolitan Opera House at Lincoln Center in New York. She has been featured in Glamour Magazine, Brides Magazine, Quest, Pointe
Magazine, Capezio Catalogues and appeared on Jimmy Kimmel Live dancing with ABT Principal Ballerina Misty Copeland and other select dancers of ABT.
She has performed several featured, Soloist and Principal roles with ABT including works such as Twyla Tharp’s Deuce Coupe and In the Upper Room, a Principal role in Jessica Lang’s Garden Blue and Merce Cunningham’s Duets and Principal Acting and Soloist roles in Kevin McKenzie’s staging of Giselle, among others. She has performed and has acquired great experience in dancing with the corps de ballet in many short and full length classics including but not limited to Swan Lake, Giselle, La Bayadere, Les Sylphides, Onegin, Don Quixote, Manon, Sylvia and many more.
She specializes in classical ballet training and coaching and has taught Master Classes for the American Ballet Theatre William J. Gillespie School, Ballet Theatre United Kingdom and has been a staff member for the Kaatsbaan Ballet Intensive directed by former Principal Ballerina of ABT, Stella Abrera. She strongly believes that having a strong source of guidance in the dance world is fundamental in the development of proper training in classical dance and she very much enjoys providing that guidance and assistance to any and all aspiring young dancers whether they hope to become professionals or just enjoy dancing for themselves.
We are thrilled to have Ms. DeGrofft guest teaching for Academy of Ballet as her 2020-2021 contract with American Ballet Theatre allows.
Born in Oklahoma City, Oklahoma, Patrick Ogle began his ballet training at the School of Ballet Oklahoma at the age of eight. He attended various summer and year-round programs, including a summer intensive at the University of Oklahoma. During the summer of 2000, he participated in American Ballet Theatre’s Summer Intensive Program and joined ABT’s Studio Company that same year. Patrick became a member of the Company’s corps de ballet in April 2002, and continued to dance with American Ballet Theatre through 2017.
Patrick’s repertoire with American Ballet Theatre includes the pas d’action in Natalia Makarova’s staging of La Bayadère, Greens in Brief Fling, The Officer in Gaîté Parisienne, Hilarion in Giselle, The Standard Bearer in The Green Table, a Stomper in In the Upper Room, one of Manon’s admirers in Lady of the Camellias, The Jailer in Manon, The Mouse King, Arabian Man and the Spanish Dance in Alexei Ratmansky’s The Nutcracker, a Lover-in-Experience in Pillar of Fire, the Grand Pas Classique in Anna Marie Holmes’ full-length Raymonda, Tybalt in Romeo and Juliet, Lorenzo in Don Quixote, a Celestial in Shadowplay, the Indian Prince in The Sleeping Beauty, von Rothbart and the Lead Czardas in Swan Lake, Antonio in The Tempest, Ladislav Slivovitz in Whipped Cream and roles in Airs, Bach Partita, Baker’s Dozen, Black Tuesday, Company B, Duets, From Here On Out, Jardin aux Lilas, Jeu de Cartes, The Leaves Are Fading and Raymonda Divertissements, the third movement in Symphony in C and a soloist role in Theme and Variations. He created the Wolf in Alexei Ratmansky’s The Sleeping Beauty and roles in One of Three and Rabbit and Rogue.
Patrick has worked with a wide range of choreographers, including Lar Lubovitch, Christopher Wheeldon, Alexei Ratmansky, Aszure Barton, Stanton Welch, Jessica Lang, James Kudelka, Jorma Elo, and David Parsons. He has worked extensively with Twyla Tharp in the creation of the Broadway production Come Fly Away and in 2005, was part of the PBS filming of “American Ballet Theatre in Swan Lake” starring Principal dancers Gillian Murphy and Angel Corella.
Patrick holds a Bachelor of Arts in Performing Arts from St. Mary’s College of California, in which he graduated Summa Cum Laude. He has also been a guest teacher and performer for various schools and companies across the United States.
Alexis Salmen began her dance training at the Academy of Ballet at the age of seven. Over her decades with Academy of Ballet she has studied with Linda Walker, Carolyn Haatainen-Wallace, Gary McKenzie, Sheri Giller, Deborah Kenner, Jeffrey Hughes, & Pamela Reyman-Hughes, as well as at summer intensives instructed by Daniel Catanach and Anton Labuschagne. She was a member of Tucson Regional Ballet’s Senior Company from Pall 1997 through Spring 2002, and has participated in 19 productions of A Southwest Nutcracker.
Ms. Salmen attended multiple Regional Dance America Festivals as a member of TRB, week-long intensive workshops with multiple daily master classes in ballet, jazz, and other dance styles, as well as nutrition, terminology, and character dancing. Highlights of this instruction were choreology taught by Richard Holden and jazz taught by Alonzo King. She performed with TRB Senior Company for RDA adjudications 1998-2002. Dances were set on her by Daniel Catanach, Anton Labuschagne, Jon Cristofori, & Carolyn Haatainen-Wallace, and she performed with Senior Company at the invitational Festival Gala Night and two RDA Festivals.
Ms. Salmen began her training as a dance teacher as a teaching assistant from Fall 1994 through Spring 2002. She also was a substitute teacher for Academy of Ballet from Fall of 1999 through spring of 2003. She returned to teaching for Academy of Ballet in March of 2016, teaching dancers 3 through advanced pointe. In Fall of 2018, Ms. Salmen took on the role of Rehearsal & Staging Assistant to Linda Walker, assisting in staging and rehearsals for A Southwest Nutcracker and TRB’s Spring Spectacular. In Fall 2019 she accepted the further responsibility of Rehearsal & Staging Mistress for TRB. Ms. Salmen is currently on staff at the Academy of Ballet as a ballet and tap instructor, and is the Ballet Mistress for Tucson Regional Ballet.
Geri Salmen began her dance training at the age of fifteen. She studied with Zuleka’s School of Belly Dance, Fritschy’s Dance Academy, and Academy of Ballet, where she has performed in annual school recitals. She has performed in Tucson Regional Ballet’s production of A Southwest Nutcracker since its inception and is currently the TRB’s Wardrobe Director. It was in the fall of 2002, when Ms. Salmen began working as a teaching assistant with the younger children, that her natural abilities as an instructor were revealed. This revelation led to an invitation to be on staff at Academy of Ballet as an instructor.
Vasily Lunde is originally from Saint Petersburg, Russia and received his training at the Kazan Choreographic Academy and Vaganova Academy in Saint Petersburg. Upon graduating he was hired by the Yacobson Ballet Theatre, where he danced as a Soloist and Principal Dancer and toured Russia, Western Europe, Asia, United States, Canada, Mexico, and Japan. More recently, Mr. Lunde has danced as a Principal Dancer with Ballet Tucson and Columbia City Ballet in Columbia, South Carolina. He has been privileged to work with ballet mistresses Patricia Miller of the Joffrey Ballet and Stacey Calvert of The New York City Ballet. Mr. Lunde is currently a freelance dance instructor at studios throughout Tucson; we are thrilled to have him teaching ballet to the TRB Senior Company.